1.0Présence Autochtonehttps://presenceautochtone.ca/archives/2022/en/PresenceAutochtonehttps://presenceautochtone.ca/archives/2022/en/author/presenceautochtone/UTEI: A Survivor's Story - Présence Autochtonerich600338<blockquote class="wp-embedded-content" data-secret="vpy78ZqV3L"><a href="https://presenceautochtone.ca/archives/2022/en/programmation/utei-recit-dun-survivant/">UTEI: A Survivor’s Story </a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://presenceautochtone.ca/archives/2022/en/programmation/utei-recit-dun-survivant/embed/#?secret=vpy78ZqV3L" width="600" height="338" title="“UTEI: A Survivor’s Story ” — Présence Autochtone" data-secret="vpy78ZqV3L" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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From the late 1800s to 1996, when the last Indigenous residential school closed, over 150,000 Indigenous children were taken from their families to be schooled by religious communities. After decades, nay, centuries of oppression, Indigenous artists are now championing the survival of their cultural heritage. Omer St-Onge is one of them.